At the center of my artistic practice is light — not merely as a physical phenomenon, but as a medium of perception, projection, and psychological resonance.

I work with light as with a thinking material: it touches surfaces, penetrates spaces, bends lines of sight — and creates atmospheres that oscillate between the visible and the invisible.

My installations, objects, and spatial compositions explore the relationship between human presence and architectural space. I am drawn to moments of uncertainty, disorientation, and irritation — because they open the gaze to what is usually overlooked. In my work, light becomes a language of the unconscious, a structure for memory, affect, and projection.

A recurring theme in my practice is shine or gloss — as an expression of surface, power, and cultural idealization, but also as disturbance and reflection. I deconstruct glossy image spaces and transform them into contemporary experiences — often through digital processes such as 3D modeling, photogrammetry, or AI-based light simulation.

My approach is interdisciplinary: I combine classical artistic techniques with technological methods, working at the intersection of sculpture, space, theater, and media art. What interests me is how technology transforms perception — and what new sensual, emotional, and epistemological spaces can be opened through light.

For me, light is an opening — into space, into the body, into time.